I'll start with what is most likely to put people off this subject: by the end of this course, you will (or should
) be able to produce every single sound and combination of sounds on this chart from memory:
To me, that is incredibly exciting and challenging, but when this was made clear in the first or second lecture, there was a noticeable drop in attendees. However, this subject is very well-paced, and it rarely felt overwhelming.
The fact that I'm really interested in this subject matter is going to prejudice this review a smidge, so I'll focus on the details surrounding assessment first and talk about general pros and cons afterwards. The two major assignments throughout the semester are listening or transcription exercises whereby you're given a series of audio files with three second sound bites of someone saying 'mfarnglchth' in another language, and then you have to write down that sound using the appropriate symbols from the above IPA chart (which incidentally, would be [ɱɐŋɬθ].) Luckily, we were given a fairly simply language (
Korean) and told to just focus on the consonants, since by that point in the semester we hadn't yet explored vowels in full. It was fairly straightforward, and you were told which possible symbols might come up. Plus, because this was a take-home exercise, you could play the sounds as many times as you wanted to... and there was a slight cheat to working things out (hint: don't listen to the files in order
) This was probably the easiest exercise, and there was a pretty high average according to the lecturers.
The second assessment involved transcribing 20 Burmese words, which was a little trickier since you had to get the vowels right this time too, but like the first assignment, we were given a table of ~40 relevant symbols from that language. There were also two English sentences that we had to transcribe using the Australian English symbols ( -a real struggle for the two American girls in our tute who were constantly getting vowels 'wrong' since they were going by their accents instead of ours.) You also had to describe the tone targets which I'll talk more about later.
Then, towards the end of semester, you had to pick an allocated time slot for the oral production test, which consisted of a 5 minute mini-exam where you're given six random IPA symbols and you have to state their full name (eg. voiced post-alveolar fricative; open mid-front unrounded vowel; dental ejective, etc.) then produce the sound, plus three 'nonsense words' like [nøʔɶɮ] that you're given about five minutes before the test. You're given heaps of practice with this in all the practical session, and it's really easy to test yourself just be going through the chart. I ended up taking a whole stack of sticky notes and making a wall size IPA chart at home with symbols on the front and names on the back, and I saw a lot of other people practicing with cue cards or online flash card programs in lectures too. There's no way of knowing which symbols or combinations of symbols (eg.
devoiced alveolar nasal,
lowered close back vowel, etc.) though just through conferring with the people I knew, it seemed like everyone got at least two vowels and one non-pulmonic consonant. The tutors were really good about providing ample opportunity to hone your skills though, and apparently you could even seek them out in their office hours and they'd do a practice run-through with you. They're also really good in the actual assessment if you stuff up one of the symbols and then realise five seconds later...
I got the stupid freaking velar approximant mixed up with the stupid freaking palatal lateral approximant... it's not my fault that whole class of phonemes sound the same... but they let me correct myself which was super nice of them :'DThe final bit of assessment before the exam was the listening test where Janet would produce a bunch of sounds (from memory it was 20 IPA symbols + a full symbol and tonal transcription of two English sentences, but I could be wrong) and we'd do the notations. This is going to sound like an odd compliment, but Janet is very good at... making sounds. As in, her articulation was really unambiguous if you knew your stuff, and she even stressed certain features both visually and aurally to help people who were struggling. The whole thing only took about twenty minutes, and you get to choose one of three sessions across three days to do it. I'd highly recommend sitting close to the front though, since you've got a slight advantage if you get a chance to observe Janet's facial movements and enunciation. She also had to do a bilabial trill (
like blowing a raspberry, basically) for the session I was in, and we were giggling like a pack of three year olds
Finally the exam... which I don't remember much about. There was a fair bit of 'this is a symbol, write what it is' and vice versa, as well as a few multi-choice and short answer questions about sound production and airstream mechanics (eg. describe the various process involved in the production of the phoneme [ð] or whatever) There were also some tricky diagram sections like this:
but you will have seen these in lectures and possible pracs, plus the readings for those who bother to do them
There was also some spectrogram analysis which I really struggled with since physics is not my forte, but more on that later.
In general the exam seemed like a pretty apt condensed version of everything that had been covered in the lectures. There were no 'omg what the hell is this' moments, nor were there any 'damn, I memorised everything to do with ___ and it wasn't even on there' thoughts that I had afterwards, so it seemed well organised overall.